Fujifilm’s mirrorless lineup of X Sequence cameras has a superb fame, particularly because of their capability to supply great-looking photographs similar to full-frame rivals from crop sensors attributable to their distinctive picture processing. Amongst nonetheless photographers, the X-Professional 2 and X-T2 particularly have earned high marks and even changed the usual Canon and Nikon gear of quite a lot of professionals. Now, Fujifilm is introducing the X-H1, a model new top-tier digicam within the X lineup that would make converts of quite a lot of extra, together with people who need nice video capabilities from their mirrorless package.
Already, the X-T2 and X-Professional 2 supply 4K video seize, however the X-H1 is designed to be higher throughout at recording video, because of in-body picture stabilization (a primary for the X Sequence line), in addition to a model new flicker discount characteristic for coping with fluorescent and mercury lighting, DCI 4K format recording for max modifying flexibility when engaged on captured footage, and with the power to mix stabilization options with sure Fuji lenses for an additional half-a-stop of stabilization.
The IS options alone are prone to flip heads for Fuji followers and other people contemplating the X Sequence over rivals together with Sony and extra conventional DSLRs from the likes of Canon and Nikon. Fuji is promising 5 stops of stabilization kind the in-body IS alone, which features a dual-processor with a spread of accelerometers and gyros to be used with nay of Fuji’s XF and XC lenses. As talked about, when working along with the built-in IS options of sure lenses, you’ll additionally get an extra half-stop of compensation. Fujifilm can be touting a redesigned mechanical shutter with a brand new spring mechanism to lower ensuing vibration, and the digicam has an digital shutter for avoiding any micro vibrations altogether.
Different movie-making options distinctive to the X-H1 embody a brand new movie simulation mode designed to imitate “cinematic” movie, all properly as a 120 fps 1080p slow-mo taking pictures mode. The anti-flicker options talked about above will assist for taking pictures in lower than perfect indoor taking pictures, and it really works with burst pictures, too. Lastly, a titling touch-panel LCD is nice for framing up pictures, each in movement and when taking pictures stills.
The X-H1 sounds prefer it’ll even be probably the most sturdy of Fujfilm’s X Sequence cameras, with mud and weather-resistance, in addition to a magnesium physique that’s 25 p.c thicker than the X-T2’s for max safety of the insides. It’s nonetheless comparatively compact, particularly in comparison with cumbersome DSLRs, but it surely additionally features a new, smaller LCD show on the highest of the digicam that appears just like the one on Fuji’s digital medium format GFX 50S for seeing your shot settings at a look.
X-H1 has the X-Trans 24.three APS-C CMOS III sensor of the X-T2 and X-Professional 2, in addition to the X-Processor Professional picture processing engine, in addition to on-baord Bluetooth connectivity. It feels like an incredible digicam with a variety of potential to rival not solely all others within the X Sequence lineup each for nonetheless taking pictures and for motion pictures, but additionally to possibly topple among the main different digicam makers. Value performs an element there, too: It’s retailing for $1,899.95 when it goes on gross sales March 1 in North America for the physique solely, which makes it Fujiflm’s costliest APS-C digicam, but additionally probably a a lot better deal by way of worth for cash in comparison with high choices from lots of its closest rivals.
Similtaneously Fuji is launching this digicam, it’s additionally introducing new ultra-compact cinema lenses designed for taking pictures video on X Sequence our bodies, together with an 18-55 fixed T2.9 aperture lens, and a 50-135 fixed T2.9 aperture providing. Each of those ought to make it potential to get terrific, steady depth of subject throughout the zoom vary whereas sustaining publicity and sharpness. It’s clear Fujifilm desires to woo crossover photographers who shoot video in addition to stills, and this appears like a troublesome combo to beat.
I’m an enormous X Sequence fan myself, and infrequently shoot an X-Professional 2 or X100F relying on what I want within the second, however I nonetheless primarily depend on Canon for work: The X-H1 appears prefer it might lastly persuade to go all-in on Fuji’s system for good.
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