Home Software Yamaha MusicCast BAR 400 review: A $500 soundbar with multi-room audio, but no Dolby Atmos

Yamaha MusicCast BAR 400 review: A $500 soundbar with multi-room audio, but no Dolby Atmos

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Yamaha MusicCast BAR 400 review: A $500 soundbar with multi-room audio, but no Dolby Atmos

The two-year-old Yamaha BAR 400 is without doubt one of the least costly soundbars round to supply high-resolution multi-room audio assist, however you’ll must sacrifice different options—reminiscent of Dolby Atmos and a middle channel—within the discount.

This 2.1-channel mannequin boasts assist for Yamaha’s sturdy MultiCast multi-room audio platform and Apple’s AirPlay 2, and it serves up stable 2D film audio and top-notch music efficiency. But the $500 MusicSolid BAR 400 lacks native assist for Dolby Atmos and DTS:X assist, the 2 main 3D audio codecs which might be quick changing into de rigueur on this value vary, and its DTS Virtual:X mode sounds too harsh to be a viable substitute.

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With its $500 price ticket and assist for Yamaha’s high-resolution MusicSolid multi-room audio system, the two-year-old Yamaha MusicSolid BAR 400 is one thing of a throwback in Yamaha’s soundbar lineup. In the previous couple of years, Yamaha has centered extra on budget-priced DTS Virtual:X soundbars (assume $350 or much less), none of which assist MusicSolid. Indeed, Yamaha has solely two different MusicSolid-enabled soundbars out there: the $1,200 YSP-2700, a four-year-old soundbar with a powerful 16 drivers however no 3D audio modes, and the five-year-old, $1,600 YSP-5600, a 46-driver (!) speaker that’s the one Yamaha soundbar to assist Dolby Atmos and/or DTS:X. (A fourth Yamaha MusicSolid soundbar, the YAS-706, has been discontinued.)

This overview is a part of TechHive’s coverage of the best soundbars, the place you’ll discover critiques of competing merchandise, plus a purchaser’s information to the options you must contemplate when buying on this class.

The Yamaha MusicSolid BAR 400 is a 2.1-channel soundbar, with the left and proper channels (the “2” within the BAR 400’s “2.1” designation) every powered by twin 1.25-inch woofers and a 1-inch tweeter, whereas the subwoofer (the “.1”) comes outfitted with a 6.5-inch cone.

Because no drivers are dedicated to the middle channel, which is the place dialog typically directed, the BAR 400 mixes audio from the left and proper channels to create a “phantom” middle channel. The downside with so-called phantom middle channels is that voices typically leak into the left or proper channels, inflicting a unnaturally echo-y sound that may develop tiring over time. I’ll cowl the BAR 400’s real-world audio efficiency just a little later on this overview.

Ben Patterson/IDG

The Yamama MusicSolid BAR 400 comes with drivers for the left and proper channels however none dedicated to the middle channel.

Thanks to MusicSolid, you possibly can improve the BAR 400 by including both a pair of wi-fi MusicCast 20 ($230 every) or MusicCast 50 audio system ($500 every, ouch) as encompass audio system, or you might group the BAR 400 with different MusicSolid audio system in your house for multi-room audio goodness (extra on that later). Yamaha equipped me with a pair of MusicSolid 20 audio system for testing.

The MusicSolid BAR 400 doesn’t assist native 3D audio codecs reminiscent of Dolby Atmos or DTS:X, however it does assist DTS Virtual:X, DTS’s virtualized 3D mode that makes use of subtle audio trickery to idiot your ears into pondering they’re listening to immersive sound, full with top results and with out the necessity for upfiring drivers. Yamaha has been a pioneer relating to DTS Virtual:X, with the $300 YAS-207 being the very first soundbar (which we quite liked, by the best way) to assist the format. But whereas DTS Virtual:X does an efficient job at making a convincing 3D soundstage with as little as two speaker channels, it could actually additionally add an disagreeable harshness to the sound.

Measuring 38.6 x 2.4 x 4.4 inches and weighing an inexpensive six kilos, the MusicSolid BAR 400’s essential soundbar unit match properly in entrance of my 55-inch LG C9 OLED, a 4K TV with a very low-slung stand. (You can even mount the BAR 400 on a wall, as we’ll talk about shortly.) The 16.6 x 16 x 7.1-inch wi-fi subwoofer, in the meantime, is large, cumbersome, and heavy (21 kilos), which is par for the course relating to soundbar-bundled subwoofers.